10% CUOPON CODE FOR SELECTED BRANDS: ANNIVERSARY10

MY CART
Check our Sword Shop

5 Types of Kissaki(Blade Tips) in Japanese Swords

Written By: Abigail Cambal
Published On: January 12, 2024

NO AI USED This Article has been written and edited by our team with no help of the AI

The kissaki or tip of a Japanese blade varies in construction across various swordmaking traditions and historical periods. Each type of kissaki offers slight differences in performance and is mainly influenced by the individual preferences of swordsmiths and the trends of the era.

KEY TAKEAWAYS
The basic types of kissaki are the o-kissaki (large), chu-kissaki (medium), ko-kissaki (small), ikubi-kissaki (stubby-shaped), and kamasu-kissaki (saury head-shaped).
The type of kissaki is influenced by various factors such as the swordsmith’s preference, school, current trends, type of blade, and more.
Some shortened swords retained their original kissaki shapes, while others were altered during restoration and polishing.

The Various Types of Kissaki

Japanese sword blades featuring different types of kissaki – Credits: Xinyusword

Kissaki specifically refers to the fan-shaped area at the tip of a Japanese blade. Depending on the overall length and width of the blade, a kissaki may be classified into different types. The design of the sword tip was influenced by the individual preference of the swordsmith, training, and trend at the time.

1. Ko-Kissaki (Small)

A katana blade by Musashi Taro Yasukuni featuring a ko-kissaki – Credits: Mandarin Mansion Antiques

A ko-kissaki (小鋒) is a small point. Shorter or narrower in proportion to the blade’s width near the tang, it is common in tachi produced during the end of the Heian period and the beginning of the Kamakura period. As a general principle, the smaller the ko-kissaki, the older the blade, with the exception of later works that may be inspired by earlier blades.

2. Chu-Kissaki (Medium)

Chu-kissaki on a Ko-Hōki Sadatsuna katana- Credits: Mandarin Mansion Antiques

A chu-kissaki (中鋒) or medium-sized blade tip has a medium length in proportion to the blade’s width near the tang. It is the most prevalent type and found throughout all periods, beginning in mid-Kamakura, from 1232. In fact, it was during the early Kamakura period when the kissaki had a slight increase in length and width. By the middle of the period, it evolved to become a full chu-kissaki.

3. O-Kissaki (Large)

A katana blade, probably once quite long, featuring an o-kissaki – Credits: Markus Sesko

An o-kissaki (大鋒) or large point can sometimes appear to be exaggerated compared to the blade’s width and length. It is mostly observed in blades from the Nanbokucho period, and Keicho-Shinto and Shinshinto eras.

The mid-Nanbokucho period saw the use of extremely long odachi, a time where Japanese blades were at its longest and biggest. Although many of these oversized swords have been shortened, they can be identified by their large kissaki.

During the Momoyama to early Edo period, oversized mid-Nanbokucho blades became popular, but in shorter lengths. As a result, some katana blades featured an o-kissaki.

In sword appraisal, the term o-kissaki does not always imply a ridiculously large tip, such as the long nagamaki-style tip. Instead, it can be also used to refer to tips that are slightly longer than a chu-kissaki. Also, due to polishing and alterations of the blade, an o-kissaki may not appear as large and elongated as it originally was.

4. Ikubi-Kissaki (Stubby Shaped)

A tachi blade featuring an ikubi-kissaki – Credits: Markus Sesko

An ikubi-kissaki (猪首切先) is a blade tip that resembles the neck of a wild boar. It is similar to the ko-kissaki, but appears wide and stubby. The tip is approximately as wide as the blade and its length is similar to its width.

An ikubi-kissaki is usually found on blades from the mid-Kamakura period, especially those that follow stouter and wider designs compared to the slender tachi that was still being produced at the time.

5. Kamasu-Kissaki (Saury Head-shaped)

Mitsuurokomon Hyogogusari tachi blade featuring a kamasu-kissaki – Credits: e-Museum

A kamasu-kissaki (魳鋒 or 鰤鋒) is a blade tip resembling the head of a saury pike or barracuda (kamasu), a variety of long snouted fish. The cutting edge of the tip has virtually no curvature (fukura). A kamasu-kissaki is mainly found in chokuto, blades from the early Koto era and reproductions of similar designs.

A kamasu-kissaki can also be found on restored blades, in which a substantial amount of material had to be removed due to a deep notch along the cutting edge of the kissaki.
Sources Cited

u003colu003ern tu003cliu003eu003cspan style=u0022font-weight: 400;u0022u003eKapp, H. (2012). u003c/spanu003eu003ca href=u0022https://books.google.com.ph/books?id=URDQAgAAQBAJu0026amp;printsec=frontcover#v=onepageu0026amp;qu0026amp;f=falseu0022u003eu003ciu003eu003cspan style=u0022font-weight: 400;u0022u003eThe Art of the Japanese Sword: The Craft of Swordmaking and Its Appreciationu003c/spanu003eu003c/iu003eu003c/au003eu003cspan style=u0022font-weight: 400;u0022u003e. Tuttle Publishing. u003c/spanu003eu003c/liu003ern tu003cliu003eu003cspan style=u0022font-weight: 400;u0022u003eKapp, L., Kapp, H., u0026amp; Yoshihara, Y. (2002). u003c/spanu003eu003ca href=u0022https://www.google.com.ph/books/edition/Modern_Japanese_Swords_and_Swordsmiths/c7YeN0F5tn4C?hl=enu0026amp;gbpv=1u0026amp;dq=Kapp,+L.,+Kapp,+H.,+%26+Yoshihara,+Y.+(2002).+Modern+Japanese+Swords+and+Swordsmiths:+From+1868+to+the+Present.+Kodansha+International.u0026amp;printsec=frontcoveru0022u003eu003ciu003eu003cspan style=u0022font-weight: 400;u0022u003eModern Japanese Swords and Swordsmiths: From 1868 to the Presentu003c/spanu003eu003c/iu003eu003c/au003eu003cspan style=u0022font-weight: 400;u0022u003e. Kodansha International. u003c/spanu003eu003c/liu003ern tu003cliu003eu003cspan style=u0022font-weight: 400;u0022u003eNagayama, K. (2017). u003c/spanu003eu003ca href=u0022https://books.google.com/books?id=zPyswmGDBFkCu0026amp;printsec=frontcoveru0026amp;dq=The+Connoisseur%27s+Book+of+Japanese+Swordsu0026amp;hl=enu0026amp;newbks=1u0026amp;newbks_redir=1u0026amp;sa=Xu0026amp;ved=2ahUKEwjaionnhdeDAxUf7TgGHUs2BlkQuwV6BAgIEAcu0022u003eu003ciu003eu003cspan style=u0022font-weight: 400;u0022u003eThe Connoisseur’s Book of Japanese Swordsu003c/spanu003eu003c/iu003eu003c/au003eu003cspan style=u0022font-weight: 400;u0022u003e. Kodansha USA.u003c/spanu003eu003c/liu003ern tu003cliu003eu003cspan style=u0022font-weight: 400;u0022u003eRoach, C. M. (2010). u003c/spanu003eu003ca href=u0022https://books.google.com/books?id=Kh_2QwAACAAJu0026amp;dq=Japanese+Swords:+Cultural+Icons+of+a+Nationu0026amp;hl=enu0026amp;newbks=1u0026amp;newbks_redir=1u0026amp;sa=Xu0026amp;ved=2ahUKEwjUv8fzhdeDAxXtxDgGHSUoCK8Q6AF6BAgBEAIu0022u003eu003ciu003eu003cspan style=u0022font-weight: 400;u0022u003eJapanese Swords: Cultural Icons of a Nationu003c/spanu003eu003c/iu003eu003c/au003eu003cspan style=u0022font-weight: 400;u0022u003e. Tuttle Publishing.u003c/spanu003eu003c/liu003ern tu003cliu003eu003cspan style=u0022font-weight: 400;u0022u003eSatō, K. (1983). u003c/spanu003eu003ciu003eu003cspan style=u0022font-weight: 400;u0022u003e刀剣u003c/spanu003eu003c/iu003eu003cspan style=u0022font-weight: 400;u0022u003e (J. Earle, Trans.). Kodansha International.u003c/spanu003eu003c/liu003ern tu003cliu003eu003cspan style=u0022font-weight: 400;u0022u003eSesko, M. (2014). u003c/spanu003eu003ca href=u0022https://books.google.com.ph/books?id=5w6QBwAAQBAJu0026amp;pg=PA276u0026amp;dq=Sesko,+M.+(2014).+Encyclopedia+of+Japanese+Swords.+Lulu.com.u0026amp;hl=enu0026amp;newbks=1u0026amp;newbks_redir=1u0026amp;sa=Xu0026amp;ved=2ahUKEwjO7eOqhteDAxUe6jgGHRbSB00Q6AF6BAgBEAIu0022u003eu003ciu003eu003cspan style=u0022font-weight: 400;u0022u003eEncyclopedia of Japanese Swordsu003c/spanu003eu003c/iu003eu003c/au003eu003cspan style=u0022font-weight: 400;u0022u003e. Lulu.com.u003c/spanu003eu003c/liu003ern tu003cliu003eu003cspan style=u0022font-weight: 400;u0022u003eSesko, M. (2015, February 14). u003c/spanu003eu003ciu003eu003cspan style=u0022font-weight: 400;u0022u003eKANTEI 1 – SUGATA #1u003c/spanu003eu003c/iu003eu003cspan style=u0022font-weight: 400;u0022u003e. Markus Sesko. Retrieved December 20, 2023, from u003ca href=u0022https://markussesko.com/2015/02/14/kantei-1-sugata-1/u0022u003ehttps://markussesko.com/2015/02/14/kantei-1-sugata-1/u003c/au003eu003c/spanu003eu003c/liu003ern tu003cliu003eu003cspan style=u0022font-weight: 400;u0022u003eSesko, M. (2015, February 19). u003c/spanu003eu003ciu003eu003cspan style=u0022font-weight: 400;u0022u003eKANTEI 1 – SUGATA #2u003c/spanu003eu003c/iu003eu003cspan style=u0022font-weight: 400;u0022u003e. Markus Sesko. Retrieved December 20, 2023, from u003ca href=u0022https://markussesko.com/2015/02/19/kantei-1-sugata-2/u0022u003ehttps://markussesko.com/2015/02/19/kantei-1-sugata-2/u003c/au003eu003c/spanu003eu003c/liu003ern tu003cliu003eu003cspan style=u0022font-weight: 400;u0022u003eSesko, M. (2015, April 1). u003c/spanu003eu003ciu003eu003cspan style=u0022font-weight: 400;u0022u003eKANTEI 1 – SUGATA #5u003c/spanu003eu003c/iu003eu003cspan style=u0022font-weight: 400;u0022u003e. Markus Sesko. Retrieved December 20, 2023, from u003ca href=u0022https://markussesko.com/2015/04/01/kantei-1-sugata-5/u0022u003ehttps://markussesko.com/2015/04/01/kantei-1-sugata-5/u003c/au003eu003c/spanu003eu003c/liu003ern tu003cliu003eu003cspan style=u0022font-weight: 400;u0022u003eSesko, M. (2015, April 3). u003c/spanu003eu003ciu003eu003cspan style=u0022font-weight: 400;u0022u003eKANTEI 1 – SUGATA #6u003c/spanu003eu003c/iu003eu003cspan style=u0022font-weight: 400;u0022u003e. Markus Sesko. Retrieved December 20, 2023, from u003ca href=u0022https://markussesko.com/2015/04/03/kantei-1-sugata-6/u0022u003ehttps://markussesko.com/2015/04/03/kantei-1-sugata-6/u003c/au003eu003c/spanu003eu003c/liu003ern tu003cliu003eu003cspan style=u0022font-weight: 400;u0022u003eTsuchiko, T. (2002). u003c/spanu003eu003ca href=u0022https://books.google.com/books?id=BWy3gx-0PR8Cu0026amp;printsec=frontcoveru0026amp;dq=The+New+Generation+of+Japanese+Swordsmithsu0026amp;hl=enu0026amp;newbks=1u0026amp;newbks_redir=1u0026amp;sa=Xu0026amp;ved=2ahUKEwjEwOmbhteDAxWP9zgGHanZCy0QuwV6BAgHEAcu0022u003eu003ciu003eu003cspan style=u0022font-weight: 400;u0022u003e日本刀21世紀への挑戦: The New Generation of Japanese Swordsmiths 英文版u003c/spanu003eu003c/iu003eu003c/au003eu003cspan style=u0022font-weight: 400;u0022u003e (K. Mishina, Trans.). Kodansha International.u003c/spanu003eu003c/liu003ernu003c/olu003e

Get Weekly Insights on Everything Swords